George Burns celebrates his new-found status as a celebrity sex symbol with guests and collection of beautiful women of all ages. With singing, dancing and a discussion on sex symbols through the ages.

Set in a rural town in the province of Buenos Aires, it portrays a stifling relationship between an overprotective mother and her young son, while he maintains a secret affair with another local boy.

In Haren Das: 21 Studies of Life, Amit Dutta portrays the remarkable ability to infuse static images with vivid life, giving an immersive experience to Das’s printmaking, wood engravings, etching, and linocut, used to capture landscapes, seascapes, and flora and fauna indigenous to the Bengal region.

A journalist knows more about a grizzly murder than is good for her. All her evidence points toward a mysterious millionaire but no one will believe her.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.

In ‘Images de Tunisie’, Younes Ben Slimane returns to the locations where an archive film of the same name was originally shot by French colonialists in 1940s Tunisia. A minimal approach that Slimane – who is also trained as an architect – uses as a counter-narrative, dissolving the historical markers between past and present with his tactile images. The archive material, originally created for propaganda purposes, is intercut with Slimane’s own footage from the same sites of traditional architecture in Berber villages in southern Tunisia.

This film illustrates Debussy's works "En bateau", "Arabesques", "Reflets dans l'eau" and "Arabesques en sol". As a visual counterpoint to the music it shows playful reflections, transparencies, and iridescence of water.

This final follow-up to 'Till Death Us Do Part' follows an aged Alf Garnett, now dealing with his wife Else's declining health and mobility, as well as the challenges of navigating the social security system and other everyday situations.

A man hires a nurse to care for his wife, who suffers from Multiple Scleroses, but a relationship soon develops between them.

Contemplating the relationship between people and images drew me to the field of found footage. I attempted to shift this relationship from a visually ideological one to a freely tactile one. However, I was disappointed by how new digital media technologies reduced people to mere brains in a vat. Meanwhile, I noticed the found footage videos created by amateur authors on the Chinese Internet. Their creative editing seemed to break through visual limitations, making the images full of possibilities and allowing them to freely access and manipulate the images with editing software. This inspired me to create a found footage video, which records my creative process. I connected short film images, photos, and collage works from the past 10 years, trying to capture the unresolved intuition between thinking and action. The process brought me an unprecedented sense of freedom. This experiment is partly a self-directed psychoanalysis. By reconnecting these images, I attempt to piece together memory fragments and reconstruct my sense of time. I strive to be sincere, even if it seems incoherent. Perhaps communication isn’t always possible, but truth transcends language.